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Comments from the editor of Flag Research Quarterly
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This article discusses the use of Confederate-flag discourse in popular music.
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This article introduces the new publication of Flag Research Quarterly and explains its significance to NAVA. It summarizes the main articles in the issue and acknowledges contributors.
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On October 10, 2013, as vexillologists began descending on Salt Lake City for the Association’s 47th Annual Meeting, Utah’s capital hosted another event of great interest to flag scholars. A small group of local historians and archivists, together with invited vexillologists who had travelled to NAVA 47, gathered at the Conservation Laboratory of the LDS Church Archives to examine a unique piece of U.S. political and religious history -- the Nauvoo Legion Life Guard Flag.
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Comments from the editor of Flag Research Quarterly
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Published in Chicago in 1861, “Down with the Traitors’ Serpent Flag” is one of thousands of political parlor songs from the American Civil War. Many of these songs are unremarkable musically and were preserved in homes, archives, and museum collections largely for their vibrant illustrations. In my presentation I examine this song’s lithographic cover illustration—a Union soldier grinding a Confederate flag into the dust—within a broader discourse of Civil War flag imagery taken from songs, political cartoons, and cartes-de-visite. Compelling secrets exist within this colorful image that may not first meet the eye; to uncover these meanings along with the ways in which they operated for 19th-century audiences, I address how citizens used flags as material objects and signs in a wider social context. I argue that this defiled flag can be seen as a symbol of nation and state, as a reminder of the female presence in war, and as a surrogate for the wounded or even deceased human body. By utilizing flag culture to interrogate objects in an art historical or visual culture context, this presentation argues that vexillology should be accepted by the larger scholarly community not only as an independent discipline but as a theoretical approach to the allied fields of art history, material culture, and cultural studies.
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Comments from the editor of Flag Research Quarterly
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Comments from the editor of Flag Research Quarterly
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Comments from the editor of Flag Research Quarterly
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