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All European powers that explored and claimed territory in New England used flags; the English colonists transplanted extensive flag traditions to the New World. The varying use of militia flags, the excision and restoration of the “idolatrous cross”, and the evolution of the Pine Tree flag provide compelling chapters in colonial history. This paper received the Driver Award in 2005.
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This paper explores the story of Wayne Whipple and his flag designs.
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Discusses the work of Sarah “Sally Ann” McFadden, an early flag maker from New York.
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Contrary to popular belief in an unchanging design, the flag of the United States Revenue-Marine, later used by the Revenue Cutter Service then the Customs Service, has varied since its adoption in 1799. Written documents; published images; paintings, engravings, lithographs, and photos of ships; and surviving flags show 13 to 22 stripes, a white but occasionally blue canton, and a great variety of canton decoration. Admiral Preble’s work in the 1870s appears to have standardized the design to the original 1799 specifications.
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For well over a century, Americans have speculated about the only symbolic reference in the Flag Resolution of June 14, 1777. In particular, they have wondered what real constellation may have been referred to by the phrase stating that “the Union be 13 stars white in a blue field representing a new constellation.” This article looks at possible star patterns.
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The American writer Washington Irving is well-known for his Knickerbocker’s History of New York, published in 1809. His claim was that this material was derived from ancient Dutch manuscripts dealing with the history of the colony of New Netherlands, 1623–1664, and its capital, New Amsterdam, now New York City. Scholars have debated this claim ever since and none of the manuscripts he cites as sources have ever been discovered to exist.
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American military flags made in 1777 and flags made in 1797 had the same manufacturing techniques, were made of the same kinds of materials, and often utilized similar or identical motifs. Some flags that are commonly identified with the Revolutionary period are likely not of that era. The mistaken attributions have been perpetuated in vexillological writings from the 19th century to the present. This piece examines three flags long thought to be from the Revolutionary War that are not.
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Martucci discusses the challenges of determining of provenance of flags, including one owned by the Gopher family of the Great Lakes band of the Chippewa (Ojibwe, Ojibwa) tribe. He discusses maritime flags used on steamships, the Bard Brothers (painters of ships and flags), Sally Ann McFadden (flagmaker in New York, NY, USA), and name flags. Martucci analyzes provenance of flags based on patterns found within these domains.
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Proceedings of the 3rd International Congress of Vexillology (ICV 3), Boston, Massachusetts, 5-7 September 1969
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Raven 9/10, covering 2002 and 2003, appears as a special double issue, American City Flags. This milestone vexillological work contains 150 articles dedicated to descriptions and histories of municipal flags of the United States. The cities represented include the largest 100 cities in the country, at least two cities per state, and all state capitals. This double volume parallels the landmark 1996–1997 double issue Flags of the Native Peoples of the United States. Dr. Purcell and entire the editorial team was awarded the coveted Vexillon by the Fédération internationale des associations veillologiques in 2005 for the most important contribution to world vexillology in the previous two years. The companion volume Canadian City Flags was published in 2011. With 400 text pages, grayscale illustrations throughout, and 16 color plates, the softcover book represents the culmination of 40 years of research by John Purcell.
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Raven 9/10, covering 2002 and 2003, appears as a special double issue, American City Flags. This milestone vexillological work contains 150 articles dedicated to descriptions and histories of municipal flags of the United States. The cities represented include the largest 100 cities in the country, at least two cities per state, and all state capitals. This double volume parallels the landmark 1996–1997 double issue Flags of the Native Peoples of the United States. Dr. Purcell and entire the editorial team was awarded the coveted Vexillon by the Fédération internationale des associations veillologiques in 2005 for the most important contribution to world vexillology in the previous two years. The companion volume Canadian City Flags was published in 2011. With 400 text pages, grayscale illustrations throughout, and 16 color plates, the softcover book represents the culmination of 40 years of research by John Purcell.
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Raven 9/10, covering 2002 and 2003, appears as a special double issue, American City Flags. This milestone vexillological work contains 150 articles dedicated to descriptions and histories of municipal flags of the United States. The cities represented include the largest 100 cities in the country, at least two cities per state, and all state capitals. This double volume parallels the landmark 1996–1997 double issue Flags of the Native Peoples of the United States. Dr. Purcell and entire the editorial team was awarded the coveted Vexillon by the Fédération internationale des associations veillologiques in 2005 for the most important contribution to world vexillology in the previous two years. The companion volume Canadian City Flags was published in 2011. With 400 text pages, grayscale illustrations throughout, and 16 color plates, the softcover book represents the culmination of 40 years of research by John Purcell.
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- North American Vexillological Association (NAVA) (14)
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