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In the passage of the Course in General Linguistics where Ferdinand de Saussure first foresaw the necessity to develop a new discipline called “semiology”, “nautical flags” are prominently listed among its objects of inquiry. Flags, indeed, are naturally interesting objects for semiotics, not only because they signify through a systematic display of forms and colors, but also because of the specific pragmatics of such display. A flag can be thought of abstractedly, as an array of symbols, but it features also a specific materiality, wherein two elements particularly stand out: (1) the flag is generally a textile; (2) this textile is meant to interact with a natural element, the wind. Flags are so symbolically important also because they seem to acquire an individual agency when they wave in the wind, and therefore to confer this autonomous agency to the cultural ideas which they stand for. The paper investigates this particular semiotics in relation to opposite ideological usages of the Italian national flag, meant to signify an either inclusive or exclusive identity.
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An eagle with two heads was one of the most famous political symbols in Europe for hundreds of years. It was the emblem of the Holy Roman Empire, and later of the Austrian and Russian Empires, and is still in use in Balkan countries and in the Greek Orthodox Church. The importance of the double eagle in so many places, as a royal and later as a national symbol as well as a focus of nationalism and loyalty, has kept this strange image prominent for centuries in the imagination, and in the collective unconscious, of people in many nations, and has figured in such incidents of sovereignty as coins, seals, flags, regalia and military uniforms, but also in civil arts and handicrafts in many media.
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This article shows the flags of political parties or alliances participating in the February 2013 elections for the Italian Parliament.
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