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Stained glass windows make an impression by pictorial and symbolic means and communicate many things to many people. These windows—first used in churches to teach the gospel story to laypeople—have evolved from a solely religious form of devotion into the secular world. Memorial windows have been commissioned in colleges, libraries, state capitols, museums, and memorials to convey the spirit of their time period. These “tapestries of colored lights”, which use images of flags, coats of arms, and other symbols, tell a story—speaking to all generations—maintaining present the history of the past.
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Flag designs will come into their own if the special qualities of flags are taken into account. The wind plays an important role in that. So, horizontal patterns will wave better than vertical ones if the flag flies from a vertical mast. Objects moved to the hoist will have better visibility. Using the practice of pars-pro-toto makes flags simpler and more readily recognizable from a distance. And complicated symbols or human figures on coats-of-arms can be translated into clear symbolism. This is how Dutch local flags were and still are designed and can be seen in many examples. This way of designing local flags can now also be seen in abundance in Flanders, the Czech Republic, some parts of Spain, and Puerto Rico.
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Discusses the flags of Courland, an area that is now the western part of the Republic of Lativa.
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Among the most common motifs in U.S. state flag design is the placement of a state seal or achievement of arms on an undivided field. Vexillographically speaking, however, sigillary flags fail the tests of distinctiveness and visibility. As an exercise in flag design that may prove both vexillologically and heraldically sound, as well as more politically palatable than a de novo design, we present the designs for armorial banners of U.S. states – both in square form and in the 2:3 ratio likely to be used if a state were to adopt an armorial banner as its state flag.
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“Soiuz” in Russian means “union”—a key word in the formal name of the Union of Soviet Socialist Republics. Once the world’s largest state, the Soviet Union comprised 15 republics and more than 100 distinct ethnic groups. The country celebrated its diversity while at the same time emphasizing the unity of all Soviet peoples. Throughout the 1922–1991 history of the USSR a highly-developed system of symbolic representations was used to portray the strength of the union. This paper examines the many ways in which the concepts of union and unity were symbolically portrayed in Soviet society including the use of flags, emblems, imagery, and slogans. It demonstrates the importance of the concept of “soiuz” in the Soviet Union. Finally, it shows how unity symbols were central to Soviet messaging both domestically and internationally.
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The world’s foremost vexillologist compares the sciences of heraldry and vexillology, through a review of civic symbolism in the United States and its manifestation on flags. He distinguishes it from European heraldry, and challenges heraldists to apply the same scientific principles as vexillology.
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- coats of arms
- 3-races theme (1)
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- unity symbolism (1)
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