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Results 36 resources
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A new web infographic by a pair of Danish designers has everything you never knew you wanted to know about the world’s flags.
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NAVA’s Flag Design Forum remains the premier gathering for flag design enthusiasts and vexillographers to connect with flag efforts underway and discuss improvements. Now entering its 6th year, the forum has played a key role in many flags in the U.S. and beyond.
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Proceedings of the 3rd International Congress of Vexillology (ICV 3), Boston, Massachusetts, 5-7 September 1969
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Proceedings of the 3rd International Congress of Vexillology (ICV 3), Boston, Massachusetts, 5-7 September 1969
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This article describes in detail the history, design, and selection process for the flag of Reno, Nevada, USA adoped on May 9, 2018.
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This note calls for discourse on how NAVA should define vexillology and its scope as an organization, particularly as it relates to participating in flag design efforts. It also previews upcoming voting on NAVA bylaws, a process which began at NAVA 51, the most recent annual meeting.
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This piece summarizes Javier Yep's motivation and design process for creating the Flag of Unity in Diversity, a flag meant to represent the diversity human cultures with a collective symbol. Yep reviews his methodology and describes outcomes of the flag development process.
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This article highlights the new flag of Burlington, Vermont, USA. It covers the flag design contest, the timeline of design implementation, and the symbolism on the new flag.
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This article highlights the new flag of Liberty Lake, Washington, USA. It covers the flag design contest, the timeline of design implementation, and the symbolism on the new flag.
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Quarterman shares anecdotal history of the Mississippi state flag and Confedarate symbols. He describes the movement towards flag change in Mississippi as he has experienced it and his design process to systematically create 150+ mock-ups of a new Mississippi state flag. He reports on the current state of flag change legislation.
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Chart that shows flags that can be flipped in different ways, but still look the same. Categories include flags that can be flipped horizontally or vertically; those that are identical when flipped horizontally; flags that are identical when flipped vertically; and flags that can't be flipped.
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The creative process and principles informing the design of some special purpose and other flags lead to conclusions for flag design in general. The dynamics of metaphor and shapeshifting are considered. The scope for greater pageantry and innovation in flag design is explored. Current national flags of complex or awkward design present a challenge. Possible remedies are suggested. To paraphrase a famous utterance, the known delivers the unknown, and as at least one national flag of recent vintage demonstrates, the unknown can lead to an unforeseen, but serendipitous result. Among the many instances of how not to design a flag, how to is more worthwhile. Vexillologists have higher standards.
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After delivering my paper, “The Voice of Vexillology”, at the Yokohama congress, my radio broadcast vexillological chronicles continue, reaching number 204 in 5 seasons. In the past three years, I have been experimenting with new Initiatives (“I”s or “Eyes”) beyond the radio program, to make Vexillology better known.
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As NAVA’s 2004 American City Flags Survey has provided us with design ratings for 150 flags, comparison of any other flag with those 150 flags would allow determining a likely rating for that flag. A more general method would be to derive a set of criteria that, when applied to a flag of United States local government, would yield a rating in line with those in that survey. Are such criteria possible, and what are the limitations of such a method?
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Flag designs will come into their own if the special qualities of flags are taken into account. The wind plays an important role in that. So, horizontal patterns will wave better than vertical ones if the flag flies from a vertical mast. Objects moved to the hoist will have better visibility. Using the practice of pars-pro-toto makes flags simpler and more readily recognizable from a distance. And complicated symbols or human figures on coats-of-arms can be translated into clear symbolism. This is how Dutch local flags were and still are designed and can be seen in many examples. This way of designing local flags can now also be seen in abundance in Flanders, the Czech Republic, some parts of Spain, and Puerto Rico.
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North American Vexillological Association (NAVA)
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