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Short article reflecting on the passing of Whitney Smith. Includes links to several obituaries that have been published about him.
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An article by Dr. Smith (from 1967) addresses the difference between the flag as designed (the ideal flag) and the flag as manufactured (the real flag). It was originally printed in The Proceedings of the Second International Congress of Vexillology: Recueil du IIe Congrès International de Vexillologie Zurich 1967 (Zurich: Société Suisse de Vexillologie, 1968). The copyright notice for that volume of the Proceedings is: © 1968 reserved for all the authors by the SOCIÉTÉ SUISSE DE VEXILLOLOGIE Zurich (Switzerland). To capture the spirit of Dr. Smith’s article, the original formatting has been retained.
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Introductary essay about NAVA's flag collection. Expalins the need for NAVA membership to examine the flags of the organization. Details the steps taken to photograph and document the flags in order to create the catalog.
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Discusses a misinterpretation of the field of vexillology. Contends that vexillology is descrip- tive, not prescriptive, and the description of a flag is only the first step, understanding its role and significance in the ongoing complexity of human experience is the higher goal.
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Comments from the editor of Flag Research Quarterly
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In the United States, Texas alone possesses a flag and seal directly descended from revolution and nationhood. The distinctive feature of both the state flag and seal, the Lone Star, is famous worldwide because of the brief existence of the Republic of Texas (March 2, 1836, to December 29, 1845). For all the Lone Star’s fame, however, there is much misinformation about it. Historians and political scientists have written about the Lone Star, but rarely has their work reflected a legal perspective focused on the available congressional and legislative documents. This article, originally published in the South Texas Law Review in 1992, centers on the legal basis for the creation and evolution of the de jure, or official, flags and seals of Texas and the laws that govern their use. Revision os an earlier article from 1991 (see preface on page 4).
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Through its general powers and duties granted in the Texas Government Code, §442.005(a), the Texas Historical Commission (THC) approves the designs, shown as Exhibit A of this notice, 2 for the six national flags of Texas history. THC has reviewed these designs and determined that they represent the appropriate flags of the six nations at the time of each claim to this soil, with the exception of the current flag of the United States of America. THC urges that these standard designs be adopted for display in all appropriate locations.
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Short article addressing the correction of a misidentification of designer of the Texas flag.
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The proportions of a flag are an integral part of a flag’s design. In some cases, the proportions are the only way to distinguish between otherwise identical flags, such as Monaco (16:21) and Indonesia (2:3). This flag investigates the variations in flag proportions, including the influence of colonial flags on the flags of modern independent nations.
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Observations from the late Niichirō Matsunami (1868-1945), a law professor at various Japanese universities, specializing in maritime law and Japanese vexillology. This reprint of his 1901 work on the comparative origins of the Japanese national flag (with the addition of images by the guest editor) comprises a thought-provoking view of a scholar in a nation still youthful on the international scene. It covers influences on and the development of the national flag of Japan.
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Short bibilography of works related to vexillology.
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Comments from the editor of Flag Research Quarterly
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Comments from the editor of Flag Research Quarterly
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Short bibilography of works related to vexillology.
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“Monday 15 February marked a turning point in the history of the Royal Canadian Navy.” These were the words of Commander Maurice Turner, captain of the destroyer escort Her Majesty’s Canadian Ship (HMCS) Saskatchewan. He wasn’t speaking of the creation of the Naval Service in 1910, or some great event of the Second World War, or the end of the Royal Canadian Navy (RCN) as a separate service within the Canadian military, but was referring instead to Proclamation Day—15 February 1965. That day, the National Flag was raised across Canada for the first time.
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Comments from the editor of Flag Research Quarterly
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The field of vexillology is, by nature, a multidisciplinary one. It is difficult to understand the significance of an individual flag or group of flags without examining the context within which those objects were created and are used. This paper will present a case study of a multidisciplinary investigation of one type of flags. Haitian Vodou flags (drapo Vodou) are little known to vexillologists, but have been studied by scholars in the fields of art, anthropology, African-American studies, and other disciplines. An investigation of prior scholarship from these areas demonstrates that this category of flags is not only significantly different than the flags usually examined by vexillologists, but they also have much to teach us about the study of flags as a multidisciplinary exercise.
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Comments from the editor of Flag Research Quarterly
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Part 2 of a discussion of flags and flag symbolism on NASA mission patches. This article introduces the tradition of NASA mission emblems and their use in Project Gemini and the Apollo Program. Continued from Flag Research Quarterly, issue #4.
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Proper storage of materials and documents is crucial to all collecting projects. For those of us who enthusiastically assert and investigate the cultural and historical significance of something as physically dynamic and vulnerable as flags, the necessity of preservation cannot be overstated. An important part of safe storage is using materials that do not cause further damage. Direct contact between an artifact and its container or a container and its immediate physical environment can cause damage. The shelf that the box rests on, if wooden, can also affect the archival integrity of the box over time. Poor quality materials can cause acidity, off-gas, and discoloring, among other effects, that deteriorate collections. To prevent these types of damages, good quality and acid-free material should be used.
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