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The U.S. Flag Code is a “codification of existing rules and customs pertaining to the display and use of the flag of the United States . . . .” It was “established for the use of such civilians . . . as may not be required to conform with regulations . . . [of the U.S. Military or other] executive departments of the United States.”1 It is not a statute in the sense that it does not command or prohibit actions enforced by punitive measures. In short, there are no penalties, other than the disapproval of others, imposed for failure to comply with the Code’s provisions. There are numerous books, articles, booklets, pamphlets, and flyers that seek to clarify the Code’s fifty- odd rules and it is generally believed that the Code addresses all questions of flag display. There are also “rules” believed to be included, though not actually present in the Code, and practices now popular that were not envisioned when the code was written. While this article will examine in particular the concept of displaying the flag vertically with the stars on “the flag’s own right,” a brief historical sketch of other display conventions and the origins of the Flag Code itself will situate flag display rightly as a malleable set of conventions and traditions, not an immutable body of legally binding rules.
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Comments from the editor of Flag Research Quarterly
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Comments from the editor of Flag Research Quarterly
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On October 10, 2013, as vexillologists began descending on Salt Lake City for the Association’s 47th Annual Meeting, Utah’s capital hosted another event of great interest to flag scholars. A small group of local historians and archivists, together with invited vexillologists who had travelled to NAVA 47, gathered at the Conservation Laboratory of the LDS Church Archives to examine a unique piece of U.S. political and religious history -- the Nauvoo Legion Life Guard Flag.
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Part 1 of a discussion of flags and flag symbolism on NASA mission patches. This article introduces the tradition of NASA mission emblems and their use in Project Gemini and the Apollo Program. Continued in Flag Research Quarterly, issue #6.
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Proper storage is critical for all collecting institutions and private collections. In this first in a series of short articles, I will provide some tips and considerations for those looking to better store and preserve their collections. The goals of storage are to provide proper support and environment. Flags and other artifacts deteriorate from poor handling and lack of archival materials, high light levels, mold, pest, temperature and relative humidity and inherent vice, i.e., a material’s intrinsic and irreversible instability to a chemical or a process used in its manufacture. The role of proper storage is to lower the effects of these modes of deterioration.
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For decades, Whitney Smith and others have been engaged in finding a permanent home for the Flag Research Center collection at a major research institution. This article recounts how it came to be in the Dolph Briscoe Center at the University of Texas. This essay is based on Brady’s keynote speech given Oct. 12, 2013, at the inaugural Whitney Smith Dinner at the Lion House during the Association’s 47th Annual Meeting in Salt Lake City, Utah.
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Every discipline or field of study evolves and changes over time. This is because, ultimately, whatever academic paradigm of belief system one operates in, it is still a cultural construction, and as culture is a living vibrant thing, it, too, is ever evolving or being inevitably affected and modified by encounters and interactions with other cultures. What about Vexillology? This article asks this important question.
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Comments from the editor of Flag Research Quarterly
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Messages of congratulations read at the Whitney Smith Dinner at NAVA 47
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While symbolism is found in art, literature, religion, psychiatry, and many other areas of life, a very extensive and significant aspect of symbolism is the concern of political science. The essentially political nature of vexillology and the necessity of studying flags from the standpoint of political science derive from this little-studied subject of political symbolism.
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This article takes a critical look at the state of vexillology as a field of study and practice (as of 1989). It posits the direction that the field could take in the future.
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Remarks at the Ceremony Transferring the Flag Research Center Collection to The University of Texas
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Letter to the editor by Scot Guenter.
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Among the most common motifs in U.S. state flag design is the placement of a state seal or achievement of arms on an undivided field. Vexillographically speaking, however, sigillary flags fail the tests of distinctiveness and visibility. As an exercise in flag design that may prove both vexillologically and heraldically sound, as well as more politically palatable than a de novo design, we present the designs for armorial banners of U.S. states – both in square form and in the 2:3 ratio likely to be used if a state were to adopt an armorial banner as its state flag.
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Vexillology has a long heritage within the Canadian military, whether as part of the identification of the Royal Canadian Navy, Canadian Army, and Royal Canadian Air Force in former years, or the current unified Canadian Armed Forces. Colors, flags, pennants, and banners all have had a role to play in unit and formation identification and pride.
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This article shows the flags of political parties or alliances participating in the February 2013 elections for the Italian Parliament.
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Reproduces the abstracts of five articles on varying topics.
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This article situates the new Flag Research Quarterly among other NAVA publications. The author provides his personal analysis of current trends in flag scholarship and implores Flag Research Quarterly to play a productive role in the field.
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In his provocative think piece, “Flagging Enthusiasm,” Tony Burton muses on the eternal questions of vexillology: what is a flag and what does it do? While not avoiding the simple answers, he unfurls the flag as a symbolic and material object, allowing it to reveal itself as a complicated, challenging, and controversial creature.
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