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Analyzes the result of a survey given to 200 college students to assess their knowledge of American flag history, their opinions on some controversial arguments over appropriate flag usage, and within the panoply of symbols that are used to evoke and represent America, how they might rank and group other symbols beyond the most obvious, the American flag.
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2016 marked the 200th anniversary of the Hawaiian flag, called Ka Hae Hawaiʻi in the Hawaiian language. The flag was first commissioned by King Kamehameha the Great, who ruled the independent kingdom of Hawaiʻi from 1795–1819. As will be seen, the flag served not only a political purpose but also played a role in the traditional religious and ethical observances of the Hawaiian people.
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Comments from the editor of Flag Research Quarterly
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The study of flags is a complex and specialized discipline. Accordingly, any conservation strategy challenges the conservators to first educate themselves in the history, customs and relevance of flags. The author's research in the field led to a question about the semantic implications of presenting a “flag” in a static form on display at CMH. This paper will focus on the significance and relevance of museum artifacts and how they retain, diminish or change their meaning through time and context.
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Despite the visibility of the Mexican flag within its country and to its neighbors, in the English-speaking world there are elements of the flag’s design that are not well-known, yet which are important parts of the flag’s meaning and importance to citizens of Mexico. The Aztec symbolism embedded in the flag tells a story about not only the early history of the country, but also its modern search for a national identity.
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Comments from the editor of Flag Research Quarterly
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Discusses the flags of Courland, an area that is now the western part of the Republic of Lativa.
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A reply and counter-argument to issues raised by Scot Guenter in his essay “Solid Vexillology" (Flag Research Quarterly, No. 10, pp. 2-3).
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This paper explores the relationship among three things: personal identity, flags, and sports brands. First, I will show that having a strong national or state brand, through flag design, can affect the personal adoption of the symbol into one’s identity. Second, I will demonstrate that brands (and in this case, sports teams) can use the strength of a flag, or lack of a strong flag, to their advantage. And third, I will examine the shrinking market space between the branding of a nation and the branding of its national sports team.
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Vexillology encompasses the study of flags from their grandest moments—leading the troops in victorious battle, or raised high on an independence day—to the most picayune of details, such as the proper Pantone Matching System standard for a flag’s colors. Sometimes it is the tiny details of vexillology that can be quite revealing—if patterns are found in them. This paper takes as its starting point a survey of flag proportions. While the independent states of the world assign to their flags many different ratios of height to width, flag proportions are not randomly distributed. Instead, the proportions of the flags of colonizing countries exert a powerful influence on post-colonial flags, even when those flags of independence bear no other graphic resemblance to their predecessors.
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Comments from the editor of Flag Research Quarterly
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Comments from the editor of Flag Research Quarterly
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Chart from the article "The Intersectionality of Flags, Religion, and the Gay Pride Movement" showing pride flags for the categories of sexual orientation, gender identity, romantic attraction, and relationship. Includes a brief definition of each group and an image of a pride flag for that group.
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Pride flags, symbolizing groups of people united by sexual orientation or gender expression, are ubiquitous. Most Americans today can make an intuitive connection between rainbow colors and the lesbian, gay, bisexual, and transgender rights (LGBT) movement. Pride flags, like all flags, have been a source of contention and inspiration in politics and society. The response of religious groups to the display of the pride flags has been a notable arena for observing the dichotomy of opinion not only about pride flags, but also about alternative sexualities in general. Americans’ love for flags as representations of their identities—whether national, subcultural, religious, or sexual—offers opportunities for the testing of social boundaries when tempers flare and opposites collide.
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For well over a century, Americans have speculated about the only symbolic reference in the Flag Resolution of June 14, 1777. In particular, they have wondered what real constellation may have been referred to by the phrase stating that “the Union be 13 stars white in a blue field representing a new constellation.” This article looks at possible star patterns.
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Discusses a misinterpretation of the field of vexillology. Contends that vexillology is descrip- tive, not prescriptive, and the description of a flag is only the first step, understanding its role and significance in the ongoing complexity of human experience is the higher goal.
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Comments from the editor of Flag Research Quarterly
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In the United States, Texas alone possesses a flag and seal directly descended from revolution and nationhood. The distinctive feature of both the state flag and seal, the Lone Star, is famous worldwide because of the brief existence of the Republic of Texas (March 2, 1836, to December 29, 1845). For all the Lone Star’s fame, however, there is much misinformation about it. Historians and political scientists have written about the Lone Star, but rarely has their work reflected a legal perspective focused on the available congressional and legislative documents. This article, originally published in the South Texas Law Review in 1992, centers on the legal basis for the creation and evolution of the de jure, or official, flags and seals of Texas and the laws that govern their use. Revision os an earlier article from 1991 (see preface on page 4).
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Through its general powers and duties granted in the Texas Government Code, §442.005(a), the Texas Historical Commission (THC) approves the designs, shown as Exhibit A of this notice, 2 for the six national flags of Texas history. THC has reviewed these designs and determined that they represent the appropriate flags of the six nations at the time of each claim to this soil, with the exception of the current flag of the United States of America. THC urges that these standard designs be adopted for display in all appropriate locations.
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Short article addressing the correction of a misidentification of designer of the Texas flag.
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