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In the mid-twentieth century scholars in the United States began to examine American society through the lens of civil religion, a term first coined by Jean-Jacques Rousseau in the eighteenth century. Although much of the discussion focused on civil religion in the US, other scholars began to recognise that a civil religion also existed in the Union of Soviet Socialist Republics. While American civil religion developed organically within all strata of society, it can be argued that in the Soviet Union there was a deliberate strategy to use civil religion as a tool to replace established religion, and to create a single sense of Soviet identity among a geographically-dispersed and ethnically-diverse population. Most studies on Soviet civil religion have focused on communist rites and rituals, and the 'cult' of Lenin. Few scholars have examined the elaborate system of symbols that were essential to reinforcing Soviet civil religion so that it became an everyday aspect of life in the USSR. This thesis seeks to fill that gap by examining the simvolika, or set of symbols, of the Soviet Union. While the official state symbols included the Soviet flag, state emblem, and national anthem, the set of symbols that were vital to the practice of Soviet civil religion was much more extensive. This study will examine the usage of an array of flags, seals, symbolic elements, imagery, and motifs that were essential to the socialisation of children and the reinforcement of Soviet civil religion in adulthood. Finally, it will examine the symbolic legacies of the USSR in the countries that were once part of the Soviet Union "An adaptation of the doctoral thesis in history submitted as part of the requirements for the PhD degree at the University of Leicester (UK), 2021".,
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Analyzes the result of a survey given to 200 college students to assess their knowledge of American flag history, their opinions on some controversial arguments over appropriate flag usage, and within the panoply of symbols that are used to evoke and represent America, how they might rank and group other symbols beyond the most obvious, the American flag.
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American Sāmoa, a territory of the United States, officially flies the Stars and Stripes of the U.S. as well as its own territorial flag, which features an American bald eagle along with some uniquely Sāmoan symbols and a red, white, and blue color scheme. More recently, an additional, unofficial flag has been flown in the Manu‘a archipelago—a district of American Sāmoa—that features a chicken, which has a deeply historical, regional, and symbolic significance, and that employs a red, green, and yellow color scheme reflective of other Manu‘a-specific material culture. This article charts the author’s experiences living and working in American Sāmoa and his efforts to understand the history and cultural significance of the territory’s many flags, as well as the ways in which these flags are interpreted and contested between and within islands and districts. Analysis of these flags is an opportunity for further discussions of colonialism and indigenous symbolism.
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Discusses incentive flags that were used to promote industrial production and investment in the war effort in the United States during World War II.
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A year in Singapore as a Fulbright fellow provided the author the opportunity to observe flag use in a country whose national symbols reflect its unique politics, history, and culture. Many photographs illustrate reflections on the strategies Singapore uses to make the flag a centerpiece of civic pride.
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