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The study of Haitian Vodou—imagining its historical development, interpreting the poetics of its mythology, analyzing its social functions—leads, almost invariably, to the consideration of the effects of hegemony. The symbolic representations and actual manifestations of local and global power have continually impacted Vodou. The aesthetics and ritual implications of Vodou flags (drapo Vodou) in many ways encapsulate the social and political history of Haiti; a past marked by displacement, fragmentation, simulation, and hybridization. This dissertation is presented as a focused study of drapo Vodou in which I examine how the flags embody or signify the adaptive merging of African and European cultural behaviors. In my analysis, I concentrate on evolution and iconography of drapo Vodou and the stylized ways that banners are paraded during ceremonies. These foci offer perhaps the most direct means of getting at the full historical, social, and theological implications of the flags. My central thesis is that, in both form and function, drapo Vodou are patterned after the banners used by the institutional centers of power (e.g. the military and the church) that have dominated Haitian society since the colonial period. I argue that the national and regimental standards carried by colonial and post-colonial military forces, the processional banners employed by Catholic religious orders, and the ensigns used by Masonic lodges have all served, to varying degrees, as models for drapo Vodou. Each of these root traditions, it can be argued, is patently European in origin. Nonetheless, as used in Vodou rites, ceremonial flags play a crucial role in the continued recognition and worship of African or African-inspired deities (lwa ) within Haiti. For this reason, I believe that the study of drapo provides a unique opportunity to delve into the processes by which Vodou practitioners (Vodouists) have transformed European material representations of power (both mundane and otherworldly) into symbolic manifestations of the lwa. The hypotheses regarding the evolution, iconography, and ritual significance of drapo Vodou presented in this dissertation are based on data generated from library and museum research in the United States and fieldwork in Haiti.
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The port city of St. John’s, as the capital of Britain’s oldest colony, developed a strong history of complex and evolving flag use. Narrated by a St. John’s native with original research and detailed flag charts, this paper covers 400 years of flags in service of the city’s commerce. (1990)
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In the 1830s, two factions of the Patriote Party in the valleys of the Ottawa and St. Lawrence Rivers used flags indicating their sympathies. The author shares his research, conclusions, and insights into a flag history that extends to the modern Québécois separatist movement. (1998)
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The United States has displayed distinguishing marks on all of its military aircraft, from the observation balloons of the Civil War, through the airplanes of the First and Second World Wars, to today’s cruise missiles. Lavish illustrations show how the U.S. insignia have changed and adapted over time. (1997)
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The long-time editor of the World Book’s “Flag Article” takes readers on a delightful voyage through the history of pirates, privateers, and their flags. Exciting illustrations accompany this, the first paper to win the Driver Award. (1979)
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When the liberator General Belgrano raised the first Argentine flag in the little town of Rosario in 1812, he little imagined the great monument that would rise to commemorate the event. The author traces the monument’s history through nearly a century of controversy to today. (1996)
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