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Vexillology encompasses the study of flags from their grandest moments—leading the troops in victorious battle, or raised high on an independence day—to the most picayune of details, such as the proper Pantone Matching System standard for a flag’s colors. Sometimes it is the tiny details of vexillology that can be quite revealing—if patterns are found in them. This paper takes as its starting point a survey of flag proportions. While the independent states of the world assign to their flags many different ratios of height to width, flag proportions are not randomly distributed. Instead, the proportions of the flags of colonizing countries exert a powerful influence on post-colonial flags, even when those flags of independence bear no other graphic resemblance to their predecessors.
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The flags of Liberia’s counties are often derided in social media forums as “childish”, “poorly designed”, or “ugly”. However, such judgments, derived from European flag design traditions, fail to account for the cultural and political context in which the flags were created. This paper explores the historical circumstances of their introduction in the mid-1960s—a time of rising discontent among indigenous Liberians opposed to the government dominated by Americo-Liberians. The introduction of county flags—which draw upon Americo-Liberian quilting traditions and serve as a genre of flag design unique to the nation—served the political and cultural purposes of the ruling elite. This paper also addresses the reception by European and American audiences of flags employing an African artistic tradition, and how that reception is reflected in social media discussions of Liberian county flags.
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- African flags
- African countries (1)
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