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The Cuban flag had its origin in the United States of America. In New York, the Venezuelan general Narciso López conceived its design; it was then drawn by the Cuban writer Miguel Teurbe Tolón and sewn by his cousin and wife, Emilia Teurbe Tolón (“the Cuban Betsy Ross”), in early June of 1849. Later, another flag, sewn by ladies in New Orleans, became the first hoisted in Cuba, on 19 May 1850, in the city of Cárdenas. The paper traces the history of those first two flags through over a century and a half. Today both historic flags are kept in Havana, Cuba, in the Presidential Palace (today the Museum of the Revolution) and in the Capitol. This essay also includes other relevant facts such as the symbols in this flag and the places where the Cuban flag was first hoisted, on 11 May 1850, simultaneously in the buildings of two newspapers in New York and in New Orleans, announcing to the world the struggle for the Cuban independence.
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Since the dawn of humanity, humans have oscillated between the preservation of their own individuality and identity and their need to belong to a global community. The ideal of embracing and of researching the unification of its origins haunts their hearts. With this central to its spirit, constructed languages were developed, whether destined for secondary or international use, intended for vast cultural arenas or with strictly a philosophical use in mind.
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Even though the City of Buenos Aires, capital of the Argentine Republic, is more than 400 years old, the flag that represents it has just a 30-year history and was only adopted officially 15 years ago. However, the flag’s central emblem can be traced to the founding of the city in 1580 by the Spanish conqueror Juan de Garay, who gave the city its first coat of arms. But in its early times this emblem was barely used. This symbol at the center of the city’s flag is debated by some people that do not accept it today. They attribute incorrect meanings to it based on contemporary politics. This paper will study the origin of the flag’s coat of arms and its background before and during its creation during late 16th century. Its scarce use in that era and its replacement by a different coat of arms shortly after its creation will be analyzed. Then the paper will describe the rediscovery of this first coat of arms at the end of the 19th century, and its use in several places in the city the following years. After that, the coat of arms became the accepted symbol of the city. The design of the flag will be studied, as well as its vexillographic challenges. All the initiatives to change this flag will be reported alongside the explanations from the people who proposed them.
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