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Proceedings of the 3rd International Congress of Vexillology (ICV 3), Boston, Massachusetts, 5-7 September 1969
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Over the centuries flags have, and are, being used to show unity. This can take the form of unity between peoples, countries, alliances, and organisations. The purpose of this paper is to give a general review of the design development of these “flags of unity”. From their origins in heraldic royal banners, then national flags, born of unification, and on to flags of alliances, liberation, and more recently international co-operation, flags with unity as their central design theme are as varied as the peoples, countries, and groups they represent.
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As Russia turned its eyes to the West under Peter the Great, foreign influences were felt in many fields, in particular the armed forces. In contrast to naval flags, army flags and particularly infantry flags were changed frequently with each monarch’s reign and showed the influence of both enemies and allies such as Sweden, Saxony, Austria, and—most of all—Prussia. In the reigns of Alexander III and Nicholas II, infantry flags went back to an “old Slavic” religious design. After the Soviet period with its red flags, many military flags have returned to the triumphant forms of the reign of Alexander I but in new colors. This talk is illustrated with many pictures of actual flags in contemporary and modern illustrations from the author’s collection.
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