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An eagle with two heads was one of the most famous political symbols in Europe for hundreds of years. It was the emblem of the Holy Roman Empire, and later of the Austrian and Russian Empires, and is still in use in Balkan countries and in the Greek Orthodox Church. The importance of the double eagle in so many places, as a royal and later as a national symbol as well as a focus of nationalism and loyalty, has kept this strange image prominent for centuries in the imagination, and in the collective unconscious, of people in many nations, and has figured in such incidents of sovereignty as coins, seals, flags, regalia and military uniforms, but also in civil arts and handicrafts in many media.
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CD ROM with vector coats of arms and flags of Russian regions (republics, oblasts, krais, fedearl cities and districts -- subjects of Russian Federation) / Диск включает векторные изображение утвержденных гербов и флагов субъектов Российской Дедерации
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La fin de l'Union soviétique en décembre 1991 a constitué un bouleversement majeur de notre période contemporaine. L'un des changements les plus visibles, et pour cause puisqu'il concerne les drapeaux, aura été le renouvellement complet des couleurs et des symboles dans cet immense espace. Loin d'avoir surgi ex-nihilo après l'abaissement du drapeau rouge, les couleurs de la Russie ont un long parcours, fait autant d'heures de gloire que de secrets. Voyage initiatique dans le blanc-bleu-rouge russe par un spécialiste du sujet. The dissolution of the Soviet Union in December 1991 marked a major upheaval of the contemporary era. One of the most visible changes—and understandably so, given that it concerns flags—was the complete renewal of colors and symbols across this vast region. Far from having emerged out of nothing following the lowering of the Red Flag, Russia’s colors possess a long history—one filled as much with moments of glory as with secrets. An initiatory journey into the Russian white, blue, and red, guided by an expert on the subject.
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Over the centuries flags have, and are, being used to show unity. This can take the form of unity between peoples, countries, alliances, and organisations. The purpose of this paper is to give a general review of the design development of these “flags of unity”. From their origins in heraldic royal banners, then national flags, born of unification, and on to flags of alliances, liberation, and more recently international co-operation, flags with unity as their central design theme are as varied as the peoples, countries, and groups they represent.
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As Russia turned its eyes to the West under Peter the Great, foreign influences were felt in many fields, in particular the armed forces. In contrast to naval flags, army flags and particularly infantry flags were changed frequently with each monarch’s reign and showed the influence of both enemies and allies such as Sweden, Saxony, Austria, and—most of all—Prussia. In the reigns of Alexander III and Nicholas II, infantry flags went back to an “old Slavic” religious design. After the Soviet period with its red flags, many military flags have returned to the triumphant forms of the reign of Alexander I but in new colors. This talk is illustrated with many pictures of actual flags in contemporary and modern illustrations from the author’s collection.
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A newly-developed flag displayed by avid Russian sports fans in support of their national teams marks a change in the use of the bear symbol—first only used by outsiders to represent Russia but now claimed by Russians as their own.
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