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An eagle with two heads was one of the most famous political symbols in Europe for hundreds of years. It was the emblem of the Holy Roman Empire, and later of the Austrian and Russian Empires, and is still in use in Balkan countries and in the Greek Orthodox Church. The importance of the double eagle in so many places, as a royal and later as a national symbol as well as a focus of nationalism and loyalty, has kept this strange image prominent for centuries in the imagination, and in the collective unconscious, of people in many nations, and has figured in such incidents of sovereignty as coins, seals, flags, regalia and military uniforms, but also in civil arts and handicrafts in many media.
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The city of Santa Barbara presented King Juan Carlos of Spain with a flag in honor of its pending bicentennial
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Describes the history of Santa Barbara, CA and its flag
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Over the centuries flags have, and are, being used to show unity. This can take the form of unity between peoples, countries, alliances, and organisations. The purpose of this paper is to give a general review of the design development of these “flags of unity”. From their origins in heraldic royal banners, then national flags, born of unification, and on to flags of alliances, liberation, and more recently international co-operation, flags with unity as their central design theme are as varied as the peoples, countries, and groups they represent.
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Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups).
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Gibraltar, a British Overseas Territory, is presented by means of geographic data and an historic overview. The history of the symbols of this territory began in 1502 when Spanish monarchs King Ferdinand and Queen Isabella granted the coat of arms of Gibraltar. Further development of the coat of arms is then described until the present day. The first flag used in Gibraltar, in 1870, was the colonial flag of the Government. Other flags from later periods are described down to the present. Other symbols used in Gibraltar, such as police emblem and flags of the Royal Gibraltar Yacht Club, are also described. There is also further demonstration of the use of various symbols in practice, such as on coins, banknotes, and stamps, and in houses, gardens, and public places.
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Flag Heritage Foundation (FHF)
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Flag Institute (FI)
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Flag Research Center (FRC)
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Flag Bulletin
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issue (sequential numbering)
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- No. 130 (1)
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volume 28
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- no. 1-4 (1)
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issue (sequential numbering)
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- ICV 12 Proceedings (San Francisco, California) 1987 (1)
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Flag Bulletin
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- North American Vexillological Association (NAVA) (6)
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Between 1960 and 1969
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