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Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups).
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The Association’s 2006 publication of its flag-design manual "Good Flag, Bad Flag" inspired a lengthy analysis and critique of its meaning, importance, and limitations, arguing for a more expansive view of flag design. This paper received the Driver Award in 2007.
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The Association’s flag survey put the word “vexillology” on the lips of many people, as it publicized the best and the worst in state and provincial flag design. Good Flag, Bad Flag is part of the solution, condensing the best thinking on flag design into five basic principles in a short, usable format. Learn how the Association’s website jumped from 100,000 hits per month to 100,000 hits per day.
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Some flags influence the designs of others. This paper traces the “family tree” of the red-white-blue horizontal tribar of the Netherlands through five major lines: New Amsterdam, Russian, South African, French, and Dutch, asserting direct ancestry or at least influence for over a hundred flags. It won the Driver Award for the author in 1988.
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- Vexillography
- Adrià Gual i Queralt (1)
- African Flags (1)
- Alexandre De Riquer i Ynglada (1)
- American Flags (1)
- Antoni Maria Gallissà I Soqué (1)
- Antonio Gaudí i Cornet (1)
- Apel•Les Mestres i Oñós (1)
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- Barcelona (1)
- Bookplates (1)
- CADCI (1)
- Catalan Flag (1)
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- Catalunya (1)
- Choral Societies (1)
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- Dutch Flag (1)
- Dutch Tricolor (1)
- Esbart Català de Dansaires (1)
- European Flags (1)
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- Flag Design (3)
- Flag Evolution (1)
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- Flag Influences (1)
- Francesc Canyelles i Balagueró (1)
- French Tricolor (1)
- Georgia (state) (1)
- Good Flag, Bad Flag (1)
- "Good Flag, Bad Flag" (1)
- Heraldic Banners (1)
- Jewelry (1)
- Joan Maragall (1)
- Josep Llimona i Bruguera (1)
- Josep Maria Jujol i Gibert (1)
- Josep Puig i Cadafalch (1)
- Lettering on Flags (1)
- Lluís Domènech i Montaner (1)
- Lluís Masriera i Rosés (1)
- Lluís Millet i Pagès (1)
- Margaret Macdonald-Mackintosh (1)
- Marià Castells i Simón (1)
- Miquel Blay i Fábregas (1)
- Modern Style (1)
- Modernism (1)
- Modernisme (1)
- Music (1)
- Netherlands (1)
- Orfeó Català (1)
- Pablo Ruiz Picasso (1)
- Pan-Slavic Colors (1)
- Poetry (1)
- Prince’s Flag (1)
- Public Opinion (1)
- Public Surveys (1)
- Rafael Masó i Valentí (1)
- Ripoll (1)
- Rossend Nobas I Ballbé (1)
- Royal Standards (1)
- Sant Lluc (1)
- Sculpture (1)
- Seal on a Bedsheet (1)
- Sigillography (1)
- Slavic Flags (1)
- Sometent (1)
- Spain (1)
- State Flags (1)
- Surveys (1)
- Ted Kaye (1)
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- Tribands (1)
- Tribars (1)
- Tricolors (2)
- Tricolours (1)
- Unió Catalanista (1)
- United States (1)
- Vexillology (2)