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In the mid-twentieth century scholars in the United States began to examine American society through the lens of civil religion, a term first coined by Jean-Jacques Rousseau in the eighteenth century. Although much of the discussion focused on civil religion in the US, other scholars began to recognise that a civil religion also existed in the Union of Soviet Socialist Republics. While American civil religion developed organically within all strata of society, it can be argued that in the Soviet Union there was a deliberate strategy to use civil religion as a tool to replace established religion, and to create a single sense of Soviet identity among a geographically-dispersed and ethnically-diverse population. Most studies on Soviet civil religion have focused on communist rites and rituals, and the ‘cult’ of Lenin. Few scholars have examined the elaborate system of symbols that were essential to reinforcing Soviet civil religion so that it became an everyday aspect of life in the USSR. This thesis seeks to fill that gap by examining the simvolika, or set of symbols, of the Soviet Union. While the official state symbols included the Soviet flag, state emblem, and national anthem, the set of symbols that were vital to the practice of Soviet civil religion was much more extensive. This study will examine the usage of an array of flags, seals, symbolic elements, imagery, and motifs that were essential to the socialisation of children and the reinforcement of Soviet civil religion in adulthood. Finally, it will examine the symbolic legacies of the USSR in the countries that were once part of the Soviet Union.

The Australian national flag is the primary symbol of the nation. The flag produces and reproduces national identity through its presence in all spheres of the public domain. This thesis is an examination into the national flag’s representational force. It focuses on how the flag makes meaning in accordance with dominant discourses of nation and nationhood through an analysis of its uses and applications across a range of institutional sites. The thesis also takes into consideration the meaning-making potential of the national flag for Aboriginal and Torres Strait Islander people. This work deploys a wide-range of historical and contemporary sources that include art and literary responses to the flag. The thesis also draws on a range of theoretical works on nation alongside the use of vexillology as a focused study of flags. A critique of the messages and meanings that the Australian national flag transmits raises important questions pertaining to the way the nation is constructed and maintained. While the thesis does not proffer a definitive solution to the many complexities surrounding Australian national identity, it offers the opportunity for further study as debates about changing the flag continue to circulate in the public sphere.

This thesis analyses the symbolic changes in the expression of white Rhodesian identity from the arrival of the settlers in 1890 and subsequent establishment of the Colony until the independence of Zimbabwe in 1980. It examines the concepts of ‘nation’ and ‘identity’. It is generally agreed that national symbols, such as flags, anthems, coats of arms, and the like, not only represent the ‘nation’ but also condense and express the values, history and memories associated with it. The thesis argues that initially Rhodesians considered and identified themselves to be quintessentially British and loyal members of the Empire which was demonstrated through the use of Imperial symbols such as the Crown and the Union Jack. However, following the Unilateral Declaration of Independence (UDI) in November 1965, the need for a more distinctive local identity became more acute as the country moved to sever its imperial links and became ostracised on the international stage. A new panoply of symbols was adopted to reflect this change, the most visible and long-lasting of which was the new Rhodesian flag. The flag continues to be the most emotional and contested symbol of post-UDI Rhodesian identity to this day.

The central themes of this thesis are to highlight the importance of national symbols and ceremonies in the formation of nations and national identities, and examine how they contribute to the expressions of nationhood. The research has been conducted by means of a systematic investigation of national symbols and ceremonies, analysed as an integral part of identity-making, maintenance and change. The focus is on the contemporary European nations, and conclusions have been drawn with regard to their symbolism and ceremonies. The overall study has been complemented by three case studies; of Britain, France, Norway, with Germany as an analytical counter-case. Throughout this thesis evidence will be provided to the effect that national symbols and ceremonies express deeper aspects and meanings of the nation, and function as integrative and/or divisive forces. Moreover, national symbols and ceremonies form a central part of a `secular' religion which provides anchorage in a dynamic world. National symbols and ceremonies also have an effect upon the community they represent; that is, they raise collective consciousness of `who we are' and `where we are from'. Finally, it has been argued that nations cannot be dated in a precise manner since they come into being by stages, marked by the adoption of national symbols, such as the national flag and the national day. These stages have been linked to three main symbolic regimes (termed `old', `modem' and `new') and understood as a function of national independence and continuity, the implication being that the whole process of nation building forms a complex that is constituted along a continuum of re-discovery and invention.

This study traces the socio-historical developments and modifications of uses, customs, and rituals associated with the national banner of the United States of America from the first Flag Resolution of 1777 through the Second National Flag Conference of 1924. Commitment to the flag is something culturally determined; this study re-examines the history of the American flag in light of this theoretical foundation, and emphasizes contributions of various individuals, organizations, and institutions to the shifting uses of the banner by American society. Military and naval uses predominated in the eighteenth century, but as the nineteenth century continued the significance of the American flag grew in patriotic music, literature, artwork, rhetoric, and demonstrations. The firing on Ft. Sumter triggered a sudden elevation of the flag to most honored status in American civil religion. Following the Civil War, veterans' organizations, hereditary societies, and popular children's magazines all participated in a movement known as the cult of the flag, placing flags in public schools and instituting rituals such as "The Pledge of Allegiance." Flag desecration statutes sought to curb the exploitation of the American flag in the growing field of advertising in the early twentieth century. Following the First World War, the American Legion gathered representatives of influential patriotic and military organizations to officially establish a national code of flag etiquette.