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Priručnik o osnovnim heraldičkim pojmovima koji se koriste u blazoniranju – stručnom opisivanju grbova. A manual about the basic heraldic terms used in blazonry – the professional description of coats of arms.
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论文介绍了比利时国旗和国徽及其演变,以及 皇家、海军、陆军、空军、国防部、特别民用 旗、军旗和飞行员召唤旗等其他象征。 This paper describes the Belgian national flag and coat of arms and its evolution together with other symbols such as the Royal, Navy, Army, Air Force, Ministry of Defense, special civil ensign, jack, and call for a pilot flags.
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第一次世界大战以及《圣日耳曼条约》、《凡 尔赛条约》和《特里亚农条约》之后,罗马尼 亚王国希望在其象征中反映其领土扩张。国王 费迪南德一世任命特兰西瓦尼亚匈牙利纹章学 家约瑟夫·科佩奇齐·塞贝斯蒂安(他在1915年为 奥匈帝国内的匈牙利王国绘制了国徽)来设计 新的国徽。罗马尼亚王国的扩增国徽于1921年 被采纳。费迪南德国王还委托约瑟夫·科佩奇齐· 塞贝斯蒂安设计王室家族的旗帜。王室成员的 旗帜:国王、王后、王储以及王子和公主的旗 帜,由1922年5月5日官方公报的皇家谕令公 布。这些旗帜各不相同,但它们共同拥有一个 纹章元素,即没有大盾徽的小盾徽。 After the First World War and the Treaties of Saint-Germain, Versailles, and Trianon, the Kingdom of Romania sought to reflect its expansion in its symbols. King Ferdinand I appointed Transylvanian Hungarian heraldist József Keöpeczi Sebestyén—who had drawn the coat of arms of the Kingdom of Hungary within the Austro-Hungarian Monarchy in 1915—to create the new coat of arms. The augmented coat of arms of the Kingdom of Romania was adopted in 1921. King Ferdinand commissioned the Royal Family’s flag designs from the same József Keöpeczi Sebestyén. The Royal Decree adopted the flags of the members of the Royal Family: King, Queen, Heir to the Throne, and Royal Princes and Princesses, published in the Official Gazette of 5 May 1922. These flags were different, but they had in common the heraldic element of the small coat of arms without the great escutcheon.
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The chapter provides semiotic analysis of national flags in Russia in historical perspective and describes legal regulation of the use of flags as state symbols on federal and federal entities’ levels. Contemporary white-blue-red national flag, Soviet red flag and imperial black-yellow-white flag are analyzed in different contexts, as official state symbols and as unofficial symbols of different political movements; the evolution of their meaning with time is shown. Subjects of the Russian Federation also have their flags, which reflect their aspiration for self-identification and sovereignty within the limits of common political identity of the nation. The right to establish their own official symbols is a part of their constitutional status, and they realize this right for the construction of their regional identity within the semiotic space of Russia as a whole.There is no unity in approaches to the fixation of the legal status and description of flags on the level of federal entities, though main legal rules concerning the use of flags and subordination between the national flag and the flags of federal entities are stipulated by the federal law. Most of regional flags have been created since 1991, because these regions had no status of federal subjects before that. By their visual representation the flags differ depending on the cultural and historic characteristics of the regions. Some of them resemble the regional coat of arms, some of them try to follow the federal model by using bars of different color, some include religious symbols.Legal regulation of the use of flags includes constitutional standards, statutory standards and also provisions of criminal and administrative law on desecration of flags and on inappropriate use of the national flag, which may humiliate or publicly demonstrate disrespect for it. The judicial practice in application of these standards is, however, confusing, because the provisions lack legal certainty.
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“Soiuz” in Russian means “union”—a key word in the formal name of the Union of Soviet Socialist Republics. Once the world’s largest state, the Soviet Union comprised 15 republics and more than 100 distinct ethnic groups. The country celebrated its diversity while at the same time emphasizing the unity of all Soviet peoples. Throughout the 1922–1991 history of the USSR a highly-developed system of symbolic representations was used to portray the strength of the union. This paper examines the many ways in which the concepts of union and unity were symbolically portrayed in Soviet society including the use of flags, emblems, imagery, and slogans. It demonstrates the importance of the concept of “soiuz” in the Soviet Union. Finally, it shows how unity symbols were central to Soviet messaging both domestically and internationally.
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