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The study of Haitian Vodou—imagining its historical development, interpreting the poetics of its mythology, analyzing its social functions—leads, almost invariably, to the consideration of the effects of hegemony. The symbolic representations and actual manifestations of local and global power have continually impacted Vodou. The aesthetics and ritual implications of Vodou flags (drapo Vodou) in many ways encapsulate the social and political history of Haiti; a past marked by displacement, fragmentation, simulation, and hybridization. This dissertation is presented as a focused study of drapo Vodou in which I examine how the flags embody or signify the adaptive merging of African and European cultural behaviors. In my analysis, I concentrate on evolution and iconography of drapo Vodou and the stylized ways that banners are paraded during ceremonies. These foci offer perhaps the most direct means of getting at the full historical, social, and theological implications of the flags. My central thesis is that, in both form and function, drapo Vodou are patterned after the banners used by the institutional centers of power (e.g. the military and the church) that have dominated Haitian society since the colonial period. I argue that the national and regimental standards carried by colonial and post-colonial military forces, the processional banners employed by Catholic religious orders, and the ensigns used by Masonic lodges have all served, to varying degrees, as models for drapo Vodou. Each of these root traditions, it can be argued, is patently European in origin. Nonetheless, as used in Vodou rites, ceremonial flags play a crucial role in the continued recognition and worship of African or African-inspired deities (lwa ) within Haiti. For this reason, I believe that the study of drapo provides a unique opportunity to delve into the processes by which Vodou practitioners (Vodouists) have transformed European material representations of power (both mundane and otherworldly) into symbolic manifestations of the lwa. The hypotheses regarding the evolution, iconography, and ritual significance of drapo Vodou presented in this dissertation are based on data generated from library and museum research in the United States and fieldwork in Haiti.
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Depuis toujours, les sociétés humaines se déterminent et s’identifient au moyen de symboles. Les drapeaux sont aujourd’hui la forme la plus visible de cette identification. Les couleurs, les dessins qu’ils comportent nous apportent une lecture précieuse susceptible de nous éclairer sur le passé, le présent et le devenir des peuples. Les drapeaux nous offrent en même temps un précieux auxiliaire permettant de comprendre la direction de l’actualité mondiale. La fin de l’URSS en 1991 et la multiplication des drapeaux sur son territoire nous donne une parfaite illustration de cette perpétuelle quête humaine, à savoir son besoin de s’identifier et la justification de sa raison d'exister ici-bas. La preuve nous est en même temps donnée du caractère indispensable de la vexillologie dans la compréhension des sciences humaines. Human societies have always defined and identified themselves through symbols. Today, flags represent the most visible form of this identification. The colors and designs they feature offer valuable insights into the past, present, and future of peoples. At the same time, flags serve as a valuable tool for understanding the direction of global events. The collapse of the USSR in 1991 and the proliferation of flags across its former territory provide a perfect illustration of this perpetual human quest—namely, the need for identity and the justification of one's reason for existence. This also demonstrates the indispensable role of vexillology in understanding the human sciences.
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The American Flag: Two Centuries of Concord & Conflict from the collections of Ben Zaricor, Louise Veninga, and Kit Hinrichs, was first exhibited in 2003 at the Presidio of San Francisco, California.
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"The curious history of Old Glory and the special veneration it often evokes" comes alive in this comprehensive volume--preface by Nelson DeMille (Kirkus Reviews). The thirteen-stripe, fifty-star flag is a quintessential American icon. It stirs something in the hearts of Americans like no other symbol. Yet the flag's history is cloaked in myth and misinformation. In Flag, historian Marc Leepson presents an illuminating, myth-busting look at the American flag from its colonial origins to its renewed importance in the aftermath of 9/11. Leepson examines how the flag's meaning and popularity evolved over the years, and sheds light on key figures in its story, such as the maker of the star-spangled banner, Mary Pickersgill; the author of the national anthem, Francis Scott Key; the coiner of the phrase "Old Glory," US Navy Capt. Samuel Driver; the first African-American Medal of Honor recipient, William Carney, who carried the flag during the Civil War; the creator of Flag Day, Wisconsin schoolteacher B. J. Cigrand; and many others.
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Учебное пособие для 5-9 классов / Study manual for grades 5-9
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