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When one examines current national anthems and flags, one finds a great deal of variety. What explains this variation? Possible factors include a nation's world-system position and its degree of modernization. Specifically, I analyze the ways in which world-system position and modernization affect the design or configuration—the syntactic structure—of the symbols national leaders adopt to convey their nation's identity. Findings reveal a link between a nation's world-system position and the structure of its symbols. Leaders of core nations adopt more basic anthems and flags than their semiperiphery and periphery counterparts. However, modernization has no such influence.
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Conventionally, flags are explained as symbols of group solidarity that achieve force through ritual processes. Alternatively, flags may be seen as symbols with positive or negative associations derived from our experiences with physical space. While this article accepts these interpretations, it also argues that they need to be augmented. Flag meaning is not entirely a social or linguistic construction because there is a link between flag displays and our inherent predispositions to cues about social rank. Our evolved social intelligence makes us sensitive to the topographic features of flag displays that signal relationships of dominance and subordination.
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Artefacts containing national or ethnic symbols, such as flags and maps, are frequently used by 14-year-old youth in a multiethnic, suburban municipality in Stockholm. Appearing as ornaments or trinkets to outsiders, to the initiated they are distinctive group markers displaying multiple political and ideological affiliations. As visual symbols these artefacts invoke communicative, but non-verbal, processes: they interpellate viewers who answer with their reactions. Thus these objects serve to both banally reproduce nationalism and ethnicity and to serve as identity markers. These identities are primarily inclusive and non-aggressive. The symbols do not seem to be a sign of resistance to mainstream Swedish society in line with much work in the field of youth culture. Instead, they are used as a proud, visual display of additional identities complementing a Swedish identity. Ethnicity research often covers linguistic markers or ethnic and national identities. In contrast, the area of youthconsumptionof nationalism, in the form of objects featuring national, ethnic and religious symbols, is as yet not well documented. Based on a year-long fieldwork in a junior high school, this paper documents ways in which minority group students handle material artefacts and what these symbols involved mean to them.
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Accounts of the relationship between flags and the law have focused on a narrow strain of contentions drawn from debates about political expression. This essay seeks to bridge the gap between cultural studies’ insight into nationalism and its symbolics, and the flag’s legal status, to better understand the unique position occupied by national flags. Flag ‘waving’ has become more prevalent in many liberal democracies. In such societies, flags occupy not a religious role, but a quiet and quotidian place in what Billig terms ‘banal nationalism’. As a cipher for the whole, a particular flag’s design is relatively unimportant; what lends it power is a mix of the gravity bestowed by its official designation and the easy commodification lent by a flag’s easy reproducibility and portability. Unlike other state symbols such as the currency, coat of arms and honorifics, the state does not seek to monopolise the flag’s use, let alone define its meaning. An analysis of the laws in several countries governing flag designation, observance and ‘desecration’ reveals that the law accords the flag distinct status yet only equivocal protection. While the state may crave its citizens’ fealty, a flag is not a symbol of some distant governmentality. Rather, it is gifted to ‘the people’ and relies for its relevance on its organic proliferation. As both object and image, people attribute a power to the flag – a power they recognise over themselves and others with whom they share a body politic. A key source of this fetishisation is its official, legal designation. Though it embodies no particular values, a flag is valued, even fetishised, by flag-wavers and flag-burners alike.
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Part of a special issue entitled "The Science of Vexillology"
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American Sāmoa, a territory of the United States, officially flies the Stars and Stripes of the U.S. as well as its own territorial flag, which features an American bald eagle along with some uniquely Sāmoan symbols and a red, white, and blue color scheme. More recently, an additional, unofficial flag has been flown in the Manu‘a archipelago—a district of American Sāmoa—that features a chicken, which has a deeply historical, regional, and symbolic significance, and that employs a red, green, and yellow color scheme reflective of other Manu‘a-specific material culture. This article charts the author’s experiences living and working in American Sāmoa and his efforts to understand the history and cultural significance of the territory’s many flags, as well as the ways in which these flags are interpreted and contested between and within islands and districts. Analysis of these flags is an opportunity for further discussions of colonialism and indigenous symbolism.
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“Soiuz” in Russian means “union”—a key word in the formal name of the Union of Soviet Socialist Republics. Once the world’s largest state, the Soviet Union comprised 15 republics and more than 100 distinct ethnic groups. The country celebrated its diversity while at the same time emphasizing the unity of all Soviet peoples. Throughout the 1922–1991 history of the USSR a highly-developed system of symbolic representations was used to portray the strength of the union. This paper examines the many ways in which the concepts of union and unity were symbolically portrayed in Soviet society including the use of flags, emblems, imagery, and slogans. It demonstrates the importance of the concept of “soiuz” in the Soviet Union. Finally, it shows how unity symbols were central to Soviet messaging both domestically and internationally.
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The world’s foremost vexillologist compares the sciences of heraldry and vexillology, through a review of civic symbolism in the United States and its manifestation on flags. He distinguishes it from European heraldry, and challenges heraldists to apply the same scientific principles as vexillology.
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