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La Crosse County Historical Society
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from Radio Iowa
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The nation's flag, which underwent an 8-year conservation period from 1998 to 2006, is today the centerpiece of the museum. An introductory section in the entry corridor sets the scene for the Battle of Baltimore during the War of 1812. Around the corner, the 30-by-34-foot wool-and-cotton flag is on view in a new dramatic display behind a 35-foot-long, floor-to-ceiling glass wall in a climate-controlled gallery that re-creates the dawn's early light, similar to Francis Scott Key's experience the morning of September 14, 1814, when he saw the flag flying over Ft. McHenry in Baltimore Harbor, inspiring him to pen the famous lyrics. The first stanza of the national anthem is projected prominently on the wall above the flag. Sections in the exit corridor trace the flag's history, including its safekeeping by Major George Armistead and his descendants, the Smithsonian's efforts to preserve it for more than 100 years, and how both the flag and the national anthem have come to represent diverse ideas of patriotism and national identity.
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During the last two centuries the authenticity of Francisco Pizarro’s Banner of Arms preserved by the National Museum of Colombia has been under discussion. The Banner collected in 1825 by General Sucre, has been catalogued as an unique object part of the history in the reunion of two societies, the Old and the New World. By first time a multi-analytical research is done to the Banner. Chromatographic, spectroscopic and microscopic techniques are combined with radiocarbon dating to characterize the different material components of the object and clarified it age and provenance. The analytic results with the historical documentation, allow to postulate that the Banner comes from an European manufacture, around the 16th century, arriving to America’s lands possibly by Pizarro’s expedition. Nevertheless, the Banner does not represent to Pizarro. In contrast, by the Banner manufacture, elements (weaved degummed silk, natural dyes (brazil wood, cochineal, indigotin and luteolin base) and silver gilded threads) and the coat of arms present on it, it is possible to postulate that the Banner represents the Royal Banner of the America’s Conquest under the Crown of the King of Spain Charles V to symbolize his Realm in the New World.
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On October 10, 2013, as vexillologists began descending on Salt Lake City for the Association’s 47th Annual Meeting, Utah’s capital hosted another event of great interest to flag scholars. A small group of local historians and archivists, together with invited vexillologists who had travelled to NAVA 47, gathered at the Conservation Laboratory of the LDS Church Archives to examine a unique piece of U.S. political and religious history -- the Nauvoo Legion Life Guard Flag.
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Organization
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North American Vexillological Association (NAVA)
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Flag Research Quarterly
(1)
- no. 04 (1)
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NAVA News
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volume 49 (2016)
(2)
- #1 (June 2016) (1)
- #2 (October 2016) (1)
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volume 49 (2016)
(2)
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Flag Research Quarterly
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- historic flags
- Australian flags (1)
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- Church of Jesus Christ of Latter-day Saints (LDS) (1)
- colours and standards (2)
- dye analysis (1)
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- flag conservation (2)
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- flags of colonization (1)
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- Francisco Pizarro' s Banner of Arms (1)
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- Nauvoo Legion Life Guard Flag (1)
- online exhibitions (1)
- silk flags (1)
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