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The nation's flag, which underwent an 8-year conservation period from 1998 to 2006, is today the centerpiece of the museum. An introductory section in the entry corridor sets the scene for the Battle of Baltimore during the War of 1812. Around the corner, the 30-by-34-foot wool-and-cotton flag is on view in a new dramatic display behind a 35-foot-long, floor-to-ceiling glass wall in a climate-controlled gallery that re-creates the dawn's early light, similar to Francis Scott Key's experience the morning of September 14, 1814, when he saw the flag flying over Ft. McHenry in Baltimore Harbor, inspiring him to pen the famous lyrics. The first stanza of the national anthem is projected prominently on the wall above the flag. Sections in the exit corridor trace the flag's history, including its safekeeping by Major George Armistead and his descendants, the Smithsonian's efforts to preserve it for more than 100 years, and how both the flag and the national anthem have come to represent diverse ideas of patriotism and national identity.
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Over 400,000 images retrieved by seaching the Smithsonian Collection Images for the word "flag".
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Comments from the president about the roles of vexillologists
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我的发言是从国博馆藏和《古代中国》、《复 兴之路》陈列展出的的30余件旗帜文物溯源中 国旗帜的起源和发展,证明:中国是世界上最 早使用旗帜的国家之 。 坐落在北京天安门广场东侧的中国国家博物馆 (以下简称国博)占地7万平方米,建筑面积近 20万平方米,是世界上单体建筑面积最大的博 物馆。其藏品有143万余件,涵盖历史文物、艺 术品等多种门类。其中旗帜文物约2000件,包 括国旗、军旗、单位行业旗、奖旗等,以及描 绘记载旗帜的文物。 This article traces the origin and development of Chinese flags through the collection of over 30 flag cultural relics in the National Museum of China and through the exhibition “Ancient China and the Road to Rejuvenation”, proving that China is one of the earliest countries in the world to use flags. The National Museum of China, located on the east side of Tiananmen Square in Beijing, covers an area of 70,000 square meters and has a building area of nearly 200,000 square meters, making it the largest museum in the world in terms of individual building area. Its collection consists of over 1.43 million items, covering various categories such as historical relics and artworks. Among them are about 2,000 material cultural relics relating to flags, including national flags, military flags, unit industry flags, and award flags, as well as cultural relics depicting and recording flags.
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Proceedings of the 3rd International Congress of Vexillology (ICV 3), Boston, Massachusetts, 5-7 September 1969
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Proceedings of the 3rd International Congress of Vexillology (ICV 3), Boston, Massachusetts, 5-7 September 1969
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The American Flag: Two Centuries of Concord & Conflict from the collections of Ben Zaricor, Louise Veninga, and Kit Hinrichs, was first exhibited in 2003 at the Presidio of San Francisco, California.
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Discusses the history of the Chief Plenty Coups Flag, a flag on display at Arlington National Cemetery in Virginia.
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On October 10, 2013, as vexillologists began descending on Salt Lake City for the Association’s 47th Annual Meeting, Utah’s capital hosted another event of great interest to flag scholars. A small group of local historians and archivists, together with invited vexillologists who had travelled to NAVA 47, gathered at the Conservation Laboratory of the LDS Church Archives to examine a unique piece of U.S. political and religious history -- the Nauvoo Legion Life Guard Flag.
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The “Liberty Flag” dates from before the Revolutionary War. Owned by the Schenectady County Historical Society in Schenectady, New York, the flag was conserved and mounted by Spicer Art Conservation, LLC. It is unique among known Revolutionary War-era flags, as extensive documentation for it exists, including when and where it was first flown along with information about the people associated with its use. Further, this flag was not connected with a military unit or anti-Crown protests; rather, it represented a civic statement. In 1771, Schenectady politicians were focused upon how to allocate and manage common lands rather than on the constitutional issues that were at the forefront for other communities in New York and New England. This focus on common lands arose from local disputes between the more recently-arrived English and earlier settlers of Dutch ancestry. This is also a story of the enduring hold of the Dutch culture through decades of English rule—in particular, how the Dutch concept and understanding of “liberty” was distinct from ideas of individual liberty then prevalent in the “English” colonies. In 1771, thus, the local “liberty” protest by English settlers was more about the use of common lands rather than taxation. Furthermore, consideration of the dyestuffs available for the silk fabric, and its current condition, indicate that the flag, now brown, was originally green (not blue, as widely believed).
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