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Interview with NAVA spokesperson Ted Kaye was featured on “All Things Considered” on NPR on November 22, 2014. Re-printing courtesy of NPR.
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Gardella, Peter. 2014. American Civil Religion: What Americans Hold Sacred. Oxford University Press.
Chapters: What is American civil religion?; America: the name, the concept, and the word; Jamestown and its anniversaries; The Mayflower Compact ; Plymouth Rock, the Pilgrims, and the Indians; City on a hill: from Jesus to Winthrop, Kennedy, and Reagan; The Freedom Trail and Boston Common; The Liberty Bell, Independence Hall, and the slave quarters ; The flag; The Declaration of Independence; The Great Seal and the dollar bill; The Constitution; Washington, D.C.: the city, the Capitol, and the White House; The Star-Spangled Banner; The Washington Monument; The Battle Hymn of the Republic; Gettysburg and the Gettysburg Address; Lincoln's second inaugural address; Arlington National Cemetery; The Statue of Liberty and Ellis Island; America the Beautiful; The Lincoln Memorial; Mount Rushmore in the Black Hills; God Bless America ; This Land is Your Land; The four freedoms; Iwo Jima: the picture, the monuments, and the battle; Disney parks; The Kennedy inaugural; Kings' speeches: the Mall (1963) and Memphis (1968); Vietnam Veterans Memorial; Transforming the National Mall; Ground zero, martyrdom, and empire; Conflict, consensus, and the future
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Published in Chicago in 1861, “Down with the Traitors’ Serpent Flag” is one of thousands of political parlor songs from the American Civil War. Many of these songs are unremarkable musically and were preserved in homes, archives, and museum collections largely for their vibrant illustrations. In my presentation I examine this song’s lithographic cover illustration—a Union soldier grinding a Confederate flag into the dust—within a broader discourse of Civil War flag imagery taken from songs, political cartoons, and cartes-de-visite. Compelling secrets exist within this colorful image that may not first meet the eye; to uncover these meanings along with the ways in which they operated for 19th-century audiences, I address how citizens used flags as material objects and signs in a wider social context. I argue that this defiled flag can be seen as a symbol of nation and state, as a reminder of the female presence in war, and as a surrogate for the wounded or even deceased human body. By utilizing flag culture to interrogate objects in an art historical or visual culture context, this presentation argues that vexillology should be accepted by the larger scholarly community not only as an independent discipline but as a theoretical approach to the allied fields of art history, material culture, and cultural studies.
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While symbolism is found in art, literature, religion, psychiatry, and many other areas of life, a very extensive and significant aspect of symbolism is the concern of political science. The essentially political nature of vexillology and the necessity of studying flags from the standpoint of political science derive from this little-studied subject of political symbolism.
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This article shows the flags of political parties or alliances participating in the February 2013 elections for the Italian Parliament.
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