Your search

Publication year
  • Filatelistička izložba Zmajevci u filateliji upriličena je kao dio predstavljanja zajedničkog izdanja poštanskih maraka Hrvatske pošte d. d. Zagreb i Hrvatske pošte Mostar d. o. o. u povodu 1100 godina Hrvatskog Kraljevstva. Izložba je izvorno postavljena u Zmajskoj dvorani u Kuli nad Kamenitim vratima, sjedištu Družbe „Braća Hrvatskoga Zmaja“ gdje je održana svečanost predstavljanja zajedničkog izdanja maraka 23. svibnja 2025. godine. Ovom prigodom izložba gostuje po prvi puta izvan Zagreba. Izložba prikazuje marke i filatelističke objekte Republike Hrvatske, ali i nekih drugih zemalja, kao i prethodnih poštanskih uprava na prostoru Hrvatske, a koji prikazuju portrete i radove članova Družbe, marke koje su dizajnirali članovi Družbe, te koje se na neki drugi način izravno odnose na djelovanje Družbe „Braća Hrvatskoga Zmaja“ od njezine uspostave 1905. do zabrane 1946. godine te nakon obnove 1990. godine. Družba tako ove godine obilježava ne samo veliki jubilej 1100. obljetnice Hrvatskoga Kraljevstva, enogo i svoje dvije godišnjice – 120 godina osnivanja i 35 godina obnove. Tim trima obljetnicama Družba je ove godine posvetila i svoj tri izdanja dragovoljnih doplatnih maraka (tzv. „pepeljuga“) kojima prikuplja sredstva za obilježavanje obljetnica. The philatelic exhibition Dragons in Philately was organized as part of the presentation of the joint issue of postage stamps of the Croatian Post d. d. Zagreb and the Croatian Post Mostar d. o. o. on the occasion of the 1100th anniversary of the Croatian Kingdom. The exhibition was originally set up in the Dragon Hall in the Tower above the Stone Gate, the headquarters of the Society of the Brothers of the Croatian Dragon, where the ceremony of presenting the joint issue of stamps was held on May 23, 2025. On this occasion, the exhibition is visiting for the first time outside of Zagreb. The exhibition presents stamps and philatelic objects from the Republic of Croatia, as well as some other countries, as well as previous postal administrations in Croatia, which depict portraits and works of Society members, stamps designed by Society members, and which in some other way directly relate to the activities of the Society of the Brothers of the Croatian Dragon from its establishment in 1905 to its ban in 1946 and after its restoration in 1990. This year, the Society is not only celebrating the great jubilee of the 1100th anniversary of the Croatian Kingdom, but also its two anniversaries – 120 years of its foundation and 35 years of its restoration. The Society has dedicated its three issues of voluntary surcharge stamps (so-called "Cinderellas") to these three anniversaries, with which it is raising funds to mark the anniversaries.

  • The British Indian Empire dissolved in 1947 included hundreds of indigenous states, but their state emblems (often the main element in Indian state and royal flags) have still not been collected and published. In this book David F. Phillips presents an analysis and classification of the emblems of the Indian states, based on original research into official patterns found on Indian state revenue stamps. It is the first such systematic study ever published.

  • This article explores the vexillography, heraldry, and iconography of Hashemite Iraq from 1921 to 1958. Representations of the Iraqi state were rooted in the Arab Revolt (1916–18), a rebellion against the Ottoman Empire during World War I. The Hashemite monarchy created flags and iconography that attempted to place its newborn kingdom in transhistorical continuity with previous Arab dynasties and ancient Mesopotamian polities. The article first examines the Iraqi flag and its evolution before turning its attention to Iraqi heraldry’s form and meaning. It closes with a concise case study on postage stamps as a vehicle of state authority and British-Iraqi hybridity.

  • “Soiuz” in Russian means “union”—a key word in the formal name of the Union of Soviet Socialist Republics. Once the world’s largest state, the Soviet Union comprised 15 republics and more than 100 distinct ethnic groups. The country celebrated its diversity while at the same time emphasizing the unity of all Soviet peoples. Throughout the 1922–1991 history of the USSR a highly-developed system of symbolic representations was used to portray the strength of the union. This paper examines the many ways in which the concepts of union and unity were symbolically portrayed in Soviet society including the use of flags, emblems, imagery, and slogans. It demonstrates the importance of the concept of “soiuz” in the Soviet Union. Finally, it shows how unity symbols were central to Soviet messaging both domestically and internationally.

Last update from database: 11/13/26, 4:10 AM (UTC)

Explore

Resource type

Topic