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This paper is a semiotics analysis of national symbols, especially national flags, seeking to insert its emergence in the context of the formation of the modern National States. The methodological approach is critical and interdisciplinary, capitalising on the contributions of Semiotics, History, Sociology and Philosophy. The flag of Brazil is analysed in a detailed manner, as a complex symbol, formed of shapes, colours, natural elements and words. From the historical point of view, the flag of Brazil is a symbol, which safeguards the past of the Brazilian Empire inside the symbol of the Republic of Brazil. From the semiotic point of view, one can see in the plan of expression a set of symbols, which allows us to realise the level of significance, there lying the dialectical conflicts of the history of Brazil. From the point of view of the current political scene, it seeks to analyse the new and main role played by the national flag, in its re-emergence among many demonstrations, and the rebirth of nationalism, within the context of economical, moral and political crises. This allows us to assess the meaning of Brazilian modernity and its future challenges.
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The symbolic functioning of flags is related to many large topics in philosophy and in social sciences. My interest here is in the dialectics of how flags mean. Flags are polysemic and ambiguous, a kind of symbolic nodes grouping several layers of signification. Flags are not images, though, but objects made to be used not contemplated. Once raised, flags may talk. But what they say when talking depends upon the modes of use in communal practices. When used, flags contribute to the staging of an event. They are performative utterances in a specific situation. The paper begins with a short review of modern discourses on the nexus between light, colour, and emotion as unreflective forms of perceiving the world. Drawing upon studies on the contemporary production and reproduction of ways of seeing the chapter then explores in greater detail specific aspects of the dialectics of sense-making through flags. Aside from symbolising as well as iconic and spectacular modes of use banal forms of performance are taken into account. Once there, flags are signs of their own context. What they promote, the paper suggests, is not unity but configurations of common differences. Finally, the article addresses the role of flags for the assemblage of cultural identities of populations connected by digital media and the formation of society in the age of globalisation.
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Flag Heritage Foundation (FHF)
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