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During the last two centuries the authenticity of Francisco Pizarro’s Banner of Arms preserved by the National Museum of Colombia has been under discussion. The Banner collected in 1825 by General Sucre, has been catalogued as an unique object part of the history in the reunion of two societies, the Old and the New World. By first time a multi-analytical research is done to the Banner. Chromatographic, spectroscopic and microscopic techniques are combined with radiocarbon dating to characterize the different material components of the object and clarified it age and provenance. The analytic results with the historical documentation, allow to postulate that the Banner comes from an European manufacture, around the 16th century, arriving to America’s lands possibly by Pizarro’s expedition. Nevertheless, the Banner does not represent to Pizarro. In contrast, by the Banner manufacture, elements (weaved degummed silk, natural dyes (brazil wood, cochineal, indigotin and luteolin base) and silver gilded threads) and the coat of arms present on it, it is possible to postulate that the Banner represents the Royal Banner of the America’s Conquest under the Crown of the King of Spain Charles V to symbolize his Realm in the New World.
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The “Liberty Flag” dates from before the Revolutionary War. Owned by the Schenectady County Historical Society in Schenectady, New York, the flag was conserved and mounted by Spicer Art Conservation, LLC. It is unique among known Revolutionary War-era flags, as extensive documentation for it exists, including when and where it was first flown along with information about the people associated with its use. Further, this flag was not connected with a military unit or anti-Crown protests; rather, it represented a civic statement. In 1771, Schenectady politicians were focused upon how to allocate and manage common lands rather than on the constitutional issues that were at the forefront for other communities in New York and New England. This focus on common lands arose from local disputes between the more recently-arrived English and earlier settlers of Dutch ancestry. This is also a story of the enduring hold of the Dutch culture through decades of English rule—in particular, how the Dutch concept and understanding of “liberty” was distinct from ideas of individual liberty then prevalent in the “English” colonies. In 1771, thus, the local “liberty” protest by English settlers was more about the use of common lands rather than taxation. Furthermore, consideration of the dyestuffs available for the silk fabric, and its current condition, indicate that the flag, now brown, was originally green (not blue, as widely believed).
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Discusses James Connolly’s Green Flag of Ireland as well as other flags from the 1916 Easter Uprising in Ireland.
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Analyzes a historical flag from the American Revolutionary War. Discusses the history of "camp colors" and their role in military tradition.
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Organization
Resource type
- Journal Article (3)
- Thesis (1)
Publication year
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Between 2000 and 2026
(4)
- Between 2010 and 2019 (3)
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Between 2020 and 2026
(1)
- 2024 (1)
Resource language
Topic
- textile analysis
- American Revolution (1)
- American Revolutionary War (1)
- American War of Independence (1)
- artifacts (2)
- camp colors (1)
- “Camp Colourmen” (1)
- camp colours (1)
- Canadian War Museum (1)
- color analysis (1)
- Connolly’s Green Flag of Ireland (1)
- dye analysis (1)
- dyes (1)
- Easter Uprising (1)
- Enniskillen Castle (1)
- flag analysis (1)
- flag conservation (2)
- flags as artifacts (1)
- flags of colonization (1)
- Fort Ticonderoga Museum (1)
- Francisco Pizarro (1)
- Francisco Pizarro' s Banner of Arms (1)
- Gal Gréine or Sunburst flag (1)
- Glen-Sanders Family (1)
- Green Harp Flag (1)
- historic flags (1)
- historic textiles (2)
- historical flags (1)
- historical textiles (2)
- Inniskillings Museum (1)
- Ireland (1)
- Irish Citizen Army (1)
- Irish Tricolor (1)
- Irish Tricolour (1)
- James Connolly (1)
- “Liberty Flag” (1)
- Liberty Hall (1)
- Liberty Poles (1)
- loyalists (1)
- military camps (1)
- military flags (1)
- National Museum of Ireland (1)
- Nicholas Veeder (1761–1862) (1)
- Revolutionary flags (1)
- Royal Highland Emigrants (1)
- royalists (1)
- Schenectady County Historical Society (1)
- Schenectady Stockade (1)
- scientific study of flags (2)
- silk flags (1)
- Sir William Johnson (1715–1774) (1)
- Spanish banners (1)
- the six-day “Rising” (1)
- wool flags (1)